Ana Sol González Rueda
I have a BA in Art History from Universidad Iberoamericana and an MA in Curating Contemporary Art from the University of Essex. Prior to starting my graduate studies I worked as adjunct curator at Laboratorio Arte Alameda, Mexico City
Thesis:Radical Pedagogies and Curating
Supervised by:Dr Karen Brown and Dr Catherine Spencer
Funded by: Conacyt and Jumex Foundation
The educational dimension of the contemporary art exhibition and the positions it organises between curator, artists, works, and the public, remain mostly unnoticed even by those apparently attempting to question and move away from authoritative, explanatory or overly didactic models. My research seeks to bring these implicit educational relations to the foreground. Generally, education is not regarded as a curatorial responsibility, with most institutions having a separate department to that end. My thesis examines specific critical curatorial approaches and discerns their educational propositions as well as the contradictions they entail. Additionally, I aim to identify ideas from radical pedagogies that are relevant to curatorial practice. The thesis investigates the viability of resistant practices in the context of an educational crisis and looks for openings to propose a different kind of experience to that of entertained consumption.
Research interests: Curating, Contemporary art, Museum Studies, Education
Publications and activities:
–Project Coordinator and Mediation Strategies, Possessing Nature, Mexican Pavilion, Venice Biennale, 2015
-Guest-curator: Laure Prouvost: Mientras No Mirabas, Laboratorio Arte Alameda, Mexico City, 2014
I completed my Undergraduate degree in the History of Art at the University of St Andrews (1stclass hons) (2011-2015), and my MA in Art Theory at UCL under the tutelage of Professor Briony Fer and Professor Tamar Garb (Distinction) (2015-2016). Throughout my studies I have worked as a research assistant for a number of private contemporary art galleries and collections.
Thesis: Some Otherwhere: Migration of the Caribbean Landscape in Contemporary Art
Supervised by: Dr Karen Brown and Dr Catherine Spencer
Funded by: EU-LAC-MUSEUMS, Horizon 2020
My research focuses on theories surrounding ‘place’, ‘space’ and ‘landscape’ in relation to contemporary photography and film that reflects the ‘Caribbean’ region. Whilst it is difficult to dissociate the landscape from its cultural and metaphorical ‘signs’, such readings should not overlook the landscape as a historical/lived space with function dependent upon individual experience.
The analysis of work that conveys themes of migration, displacement and identity by ‘global’ contemporary artists like John Akomfrah, Isaac Julien, and Steve McQueen alongside work by artists from within the region, including Alberta Whittle, Ewan Aitkinson and Annallee Davis, allows for a more nuanced understanding of the narrativisation involved in the documentation of place. Through reference to the ideas of Caribbean writers and theorists, including Édouard Glissant, Derek Walcott and Stuart Hall, an alternative understanding of the experience of landscape will be offered, which bears implications for the theorization of the effects of contemporary globalisation on creative fields.
Research interests: Contemporary Art, the Caribbean, migration, landscape, photography, text and image
Publications and activities:
Writer in residence Fresh Milk, Barbados (September 2017)
Grants and awards:
Santander Research Mobility Award (2017)
Wilhelmina Barns-Graham Trust Award (2016)
Award for Undergraduate Research Assistantship Programme (2015)
Trethowan Bursary for Dissertation Research (2014)
St Andrew’s prize for the top student in the department of Art History (2014)
Cross Trust Vacation Scholarship (2014)